AAAAN.NET

Virtual Reality. Interfacing Art, Games and Everyday Life

Rethinking Future Heritage

Annet Dekker. writes + talks

Annet Dekker. exhibitions + projects

from leaking to seeping

Dearest creature of the night

A Pataphysics of Data Centre Aesthetics

Refiguring the Digital Future: Navigating the Temporal-Spatial Web of Online Exhibitions

Curating Online: Art in Space and Time

Precarious Collections and Data Colonialism

Rolodex Propaganda Symposium

Doing Documentation @MAP - Media | Archive | Performance #14

The Spectre of Documentation

Glitch in computational space and time

Neural Magazine 1993–2023

Conserving and Presenting Digital Art: Using AI for conserving Digital Art

NODE: Curating the Digital

From digital curation to networked co-curating

The politics of access within archiving as artistic praxis

Refiguring "The Broken Timeline"

Re: Thirst Trap Glitch GIF - Gretchen Andrew / Annet Dekker

Socio-technical care through co-constituted practices

Caring through Networked Tinkering

Valiz 2028 to 2100

“Please put it somewhere safe”

NFT, or a poetics of Non-Fixed Time

Perceiving the Imperceptible. Mónica Alcázar-Duarte – Second Nature

Documenting Digital Art: insights for artists, audiences, cultural organisations, and policymakers, including a step-by-step guide for organisations Doing Documentation

Curating online: space & time

Archival Absurdity, or a walk in the park

Seeing Double: Documenting mixed reality in the museum and beyond

From documentary to generative preservation

Documentation as Art: Expanded Digital Practices

Care as transdisciplinary concept

Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data

Revisiting Dutch Video Art from the 70s

The tension between static documentation and dynamic art

The Broken Timeline @ distant.gallery @ ZKM

Stuck on the Platform: A Night of Raving Against the Internet

The Networked Image in Post Digital Culture

Virtual SARBICA International Symposium

Digital Culture and Art Museums

SUSTAINING ART: People, Practice, Planet in Contemporary Art Conservation

Curatorial Perspectives on Collecting Time-based Media Art

Dutch Digital Art Canon

The Broken Timeline @ distant.gallery @ museums without walls

Art and Obsolescence Podcast #43

The networked image: addressing the paradox in documentation

The Qualities and Significance of Documentation

“Designing the unexpected” – – – ambiguity and net art

Networks of Care. Types, Challenges and Potentialities

Archiving Performance: Between Artistic Poetics and Institutional Policies

The Broken Timeline @ distant.gallery

Fake News - Medienkultur A-Z

Hybrid Infinities

Contemporary Curating: Radical, Digital, Diverse Online conference on contemporary curating

The Politics of Glitch in Photography. From spirit to noise and precarious aesthetics

Art, Museums and Digital Cultures → Rethinking Change

The Unbearable Lightness of Digital Art

Curating on the web: Interfering with the assumptions of networked platforms and interfaces

Digital Materialities

Images in Limbo: ‘Compositioning' Photographic Debris in the 'Climate Regime'

Art experience through the lens of documentation

How to Do Curating with Digital Art

Witte Rook, Entrepot: Annet Dekker

Online Dating with a Twist

The Work of Art Without Original

Vulnerable archives

Curating Digital Art. From Presenting and Collecting Digital Art to Networked Co-curation

The Work of Art in an Age of Audience Documentation

In Search of Sustainable Care for Digital Art

Central Park Archives - streams from Maunula House

Calculating Control: (Net)Art and Cybernetics

The Art >and care< of Curating Online

Imageability. Telling stories in images

How fickle digital preservation practices are failing sustainability efforts

Archival Futures. Born-Digital Architecture media

O Paradoxo Da Sustentabilidade Digital

Transformation Digital Art 2021

Between Camera & Network: Art and Documentation in Post-Photographic Culture

Annette Wolfsberger

Networked art practice after digital preservation

Connecting the Archives

Precarious data aesthetics. An exploration of tactics, tricksters and idiocy in data

Archival Absurdities, or a walk in the park

Location, location, location!

Documentation of Digital Art

Curating Data: care, commons, networks

A Critical History of Media Art in the Netherlands

Modern Art: Who Shares?

Archives imaginaires - en de Inspectie Overheidsinformatie en Erfgoed

Curating Documentation #2

MAPS2020 THE DEAD WEB – THE END

Taferelen #33 – Networked Memory

UNFOLD: Audience/Performer/Mirror

Calm technology: Olia Lialina, David Benque & Cristina Cochior

Curating Documentation #1

Imageability today. Telling stories in images

Michelle Caswell, Our Views and Their Power: Acknowledging Our Positions in Archival Appraisal

Curating Social Media

Nothing to Hide, Nothing to Fear

The Good, the Bad and the Playful Fake

Capturing Digital Art and Performance

Book presentation: Collecting and Conserving Net Art

AHRC research grant: Documenting digital art. Re-thinking histories and practices of documentation in the museum and beyond

Preservation of Net Art through ‘Networks of Care’: Challenges and Potentials

Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation

Digital Art through the Looking Glass

Archiving Complex Digital Artworks

Digital sustainability: how to move beyond the oxymoron

Digital Canon of the Netherlands

The [dis]empowering of the like

A MEMÓRIA DO DIGITAL e outras questões das artes e museologia

Archiving (in) Processes

Collecting and Conserving Net Art. Moving Beyond Conventional Methods

Performing the Data Drive

Collecting as a Creative and Collaborative Process

Capturing online cultures, or storytelling as method

Acting in Contemporary Art Conservation

Archive of the Ephemeral. Thinking, Practicing, Networking

berlin - zentrum der netzkunst - damals und heute

Behind the Scenes of The Warp and Weft of Memory

Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations

A digital Babel: text, language & power

Performances, books and screens

Put Evaluation into Practice: The Collaborative Residency Life Cycle

(Re)Coding the Past for the Future

Archiving online cultures

Digital Art and Homo Documentator

Networks of Care, or Autonomous Archiving

Cultural Matter: on DeliNear.Info

Transformation Digital Art

Powers of online curating

Version Control and Archive Freedom

Photography after software

Subversive curating ... as if

Walidah Imarisha, The Liberated Archive

Other Futures. Exploring New Perspectives through Science Fiction

Fluid memory: Open Set Lab

The Networked Image Economy and the Automation of Culture

Collaborative archiving of digital art

Finissage: Collectively (Re)shaping the Archive

Techno-colonialism: digitization and trafficking cultural goods

Between light and dark archiving

Online community archives

Lost and Living in Archives @ HNI

Publishing and Exhibiting Online. Or, How to Create and Sustain a Performative Archive

Lost and Living (in) Archives

Machine Art in the Twentieth Century

Memories of the Future: Exploration into 1.000.000 Hours of Media Heritage

Relearn 2017: Versioning the Networked Archive

Ways of machine seeing

Trafficking of cultural goods: 3D modelling and digital colonialism

SAVE AS: ARCHIVING BORN-DIGITAL ARCHITECTURAL MATERIALS

New Archive Interpretations: Five Research Commissions

Interdisciplinary Discussions about the Conservation of Software-Based Art

David Garcia, Annet Dekker, Ian Alan Paul: As If: The Media Artist as Trickster / How Much Of This Is Fiction

Aymeric Mansoux and Marloes de Valk: What kind of archivist are you?

Net art and the need for an expanded practice of conservation

Vox Populi and The Syrian Archive. Documenting revolution and conflict in the digital age

How much of this is fiction / As If: The Media Artist as Trickster

Code is text, Code as text

Preserving the social dynamics of net art

The (un)bearable lightness of digital archiving

Digital Marginalia

Fragile Permanence. Moving between objects and networked processes

George Oates: The Need for Human Intervention

Online archives, or systems of fragmentation, multiplicity and speculation

Erica Scourti: Archiving our (Dark) Lives

Olia Lialina: My Boyfriend Came Back From The War. online since 1996

Documentation and re-interpretation of ‘This page contains...’ by JODI

Dialogue between Constant Dullaart and Annet Dekker

ALGORITHMIC RUBBISH, APE MATTERS and THE ANIMATED DINOSAURS OF HOLLYWOOD I Bots, Bodies, Beasts

What We Talk About When We Talk About Online Cultures

Shifting from Storage to Dynamic Circulation

Is the web changing video art? Or, the influence of networked environments

Harm van den Dorpel: Choosing Complexity

The Paradise of Big Data

The Archive: from Memories of the Past to Predictions of the Future

The Centre of the Study of the Networked Image

Networked Images: Art, Photography & Technology

How to Do Art With Networks

Right Here, Right Now @ The Lowry, Salford (UK)

The Challenge of Open Source for Conservation

No Internet, No Art. A Lunch Bytes Anthology

It's New! The archives of MVRDV and Zaha Hadid Architects

The Homo Documentator - expanding documentation in the arts

Embracing Authenticity in Net Art

Algorithmic Rubbish: Daring to Defy Misfortune

Virtualizing John Gerrard’s “Sow Farm” (2009), or not? (co-author Patricia Falcão)

WTi 2.0 - Wasting time on the Internet

New Collecting - Curating after New Media

Authenticity in the post-digital age

Template: The creative promise and open collections

An exploration of significance and dependency in the conservation of software-based artworks

Share This! Art and social networks

Enabling the Future, or How to Survive FOREVER

Annet Dekker. bio + cv

Richard Vijgen: A landscape of boxes, or the archive as digital playground

The museum archive: from managing and storing memories to predicting the future

Re-collecting the Museum

Possible Futures / Futuros Possíveis

Jonas Lund: Studio Practice

Assembling traces, or the conservation of net art

A Fun Aesthetic and Art

Is Digitale Kunst een Nieuwe Hype?

La Société Anonyme: The SKOR Codex launched into the future

Jonas Lund: The Absurdity of Art Speak, Art Worlds, and what we can learn from Big Data

The Future Is Not What It Used To Be

Vertical Cinema at IFFR 2014

Jan Robert Leegte: A quest for silence and bewilderment in Minecraft’s vast expanses

FREE?! A one-day journey into the cultures of sharing

Curating Your Memory

Proud To Be Your Version 1 & 2

F.A.T. GOLD Europe Five Years of Free Art & Technology

Speculative Scenarios, or what will happen to digital art in the (near) future?

The CD-ROM Cabinet after 6 months...

Eleanor Greenhalgh: Being in the uncomfortable middle and the continued need for physical space

Foundland: Critical Stories

Call for Participation Sonic Acts Masterclasses

Digimag: Transnational Collaborative Artists in Residency Programmes

Conversations with Curators

Silvio Lorusso: e_PERMANENT #02

Femke Herregraven: Glass houses, Roman numerals and shady worlds -- Taxodus

The Dark Universe: Sonic Acts 2013

CD-ROM Hackathon by Ben Fino-Radin

Mozilla and Eyebeam: Open Call for Open(Art)

Paraphrasing Babel

Collecting and Presenting Born-Digital Art

The Value of Openness

Kontraste 2012 - Electric Shadows

Esther Polak: Kunnen GPS-data mensen ontroeren?

La Société Anonyme: The SKOR Codex

NetArtWorks: Online Archives

Michael Murtaugh: Portable SKOR

Shu Lea Cheang: Composting the Net

Art Platforms and Cultural Production on the Internet

AIR: The City Talks

Metahaven: Cloud Coins

AIR: City Velocities - Body Speeds

Documenting Internet-based Art: The Dullaart-Sakrowski Method

Post-Internet Art

Linda Hilfling: Restrictions and Reservations, Examining National Public Domains

YOHA: Data Entry

YOHA: Starting to talk about databases

Dutch Culture Cuts: a compilation of discussions on mailinglists

Born Digital Art Challenges Preservation

Petition against new cultural policy in the Netherlands

Response New Media and Art Institutions to Govermental Cuts - Source of innovation is eliminated

Dramatic cuts for culture in the Netherlands

Lernert & Sander: Data is the New Narrative

Martine Neddam: How to be Pink and Conceptual at the Same Time

Heath Bunting: The world of an administrative content provider

AIR: We Are Forests

Heath Bunting: Natural and Artificial Identities, or The Ease of Interaction

NetArtWorks: The Database, the Datacloud, and the Public (Data) Domain

NetArtWorks: Identity Works

Virtueel Platform Research | ARCHIVING THE DIGITAL

Clickable Art, or, what does participation mean?

Nancy Proctor: The Spectator in a Discriminating Role | On the Mobile Museum

BLOG: We Are Forests

Virtueel Platform Research | BLAST THEORY

The End of the Media Lab as We Know It

Arnolfini, Bristol (UK) Fun with Software

Fun and Software

Documenteren en archiveren in een digitaal tijdperk

Funware Conference Programme

Rhizome: interview with Olga Goriunova, curator of Funware

The Art of Platforms

Projects and research (independent)

MUTE: Fun with Software

AIR: Naked on Pluto

Funware at MU in Eindhoven

AIR: Sensitive to Pleasure

BLOG: Sensitive to Pleasure

ARCHIVE 2020 sustainable archiving of born - digital cultural content

VERSIONS AND THE COMMENT AS MEDIUM : three interviews

Virtueel Platform Research | The Patching Zone

Esther Polak: Traversing The Route, From MediaMarkt to Cameroom

Virtual Person by Martine Neddam

Tiffany Holmes: The fight against climate change takes effect through creative design and green consumerism

Art Mediated by Technology

Yolande Harris: A Journey Through Sound

Navigating the Space of the Future

Igor Stromajer: The Netherlands is respectful. Russia is corrupt.

Jaromil: TBT [Time Based Text]

Daan Roosegaarde: In search of Nature 2.0

Richard Rogers: The politics of association on display

Tea Mäkipää: Claiming bio-diversity

Dominik Bartkowski: Bareback

Video Vortex 2 – Workspace

Video Vortex 1 – Launch of FLOSS Manuals

Video Vortex 1 – Mobile Art

Symposium (in)visible technologies

(in)visible sounds

Seminar (in)visible technology

AIR: Aymeric Mansoux and Marloes de Valk

Silke Wawro: Parasitaeres Verhalten als Vorslag zum Umgang mit Ueberangebot und Massenproduktion.

Sonia Cillari: Space Is Body Centered

AIR: Usman Haque and Rob Davis

Credibility and Certainty: 9/11 Conspiracy Theories

Faith in Exposure

AiR: Govcom.org, A Thousand Dinners A Night: Amongst the Issue Celebrities

Natural Habitat

Machinima Salon

AiR: Blender, Elephants Dream

5 Days Off Media

Dutch Installation Art

Craftsmanship = Mastery

World Wide Wrong

World Wide Wrong – JODI

Woody Vasulka Improvises

Visual Sensations

Further Stories

759.987,20 Euro

My Story – Interview Artists

My Story – Stories Visualized

Optical Illusion

Echigo-Tsumari Art Triennial

RGB - VJ/DJ FESTIVAL

Marina Abramovic – Videoworks

Spatial Media Special

The Pleasure of Language

Are You Experienced

Blast Theory | NIMk

Hybrid Life Forms - Robyn Stacey

Hybrid Life Forms

Canadian Media Art

Silke Wawro: Volksware

Lazy Marie : Circus Maximus

M/F on TV Reflections on Image Fragments