➝✕
Virtual Reality. Interfacing Art, Games and Everyday Life
➝✕
Rethinking Future Heritage
➝✕
Absurdism
➝✕
Annet Dekker. writes + talks
➝✕
Annet Dekker. exhibitions + projects
➝✕
from leaking to seeping
➝✕
Dearest creature of the night
➝✕
A Pataphysics of Data Centre Aesthetics
➝✕
Refiguring the Digital Future: Navigating the Temporal-Spatial Web of Online Exhibitions
➝✕
Curating Online: Art in Space and Time
➝✕
Precarious Collections and Data Colonialism
➝✕
Rolodex Propaganda Symposium
➝✕
Doing Documentation @MAP - Media | Archive | Performance #14
➝✕
The Spectre of Documentation
➝✕
Glitch in computational space and time
➝✕
Neural Magazine 1993–2023
➝✕
Conserving and Presenting Digital Art: Using AI for conserving Digital Art
➝✕
NODE: Curating the Digital
➝✕
From digital curation to networked co-curating
➝✕
The politics of access within archiving as artistic praxis
➝✕
Refiguring "The Broken Timeline"
➝✕
xCoAx 2023
➝✕
Re: Thirst Trap Glitch GIF - Gretchen Andrew / Annet Dekker
➝✕
Socio-technical care through co-constituted practices
➝✕
Caring through Networked Tinkering
➝✕
Valiz 2028 to 2100
➝✕
“Please put it somewhere safe”
➝✕
NFT, or a poetics of Non-Fixed Time
➝✕
Perceiving the Imperceptible. Mónica Alcázar-Duarte – Second Nature
➝✕
Documenting Digital Art: insights for artists, audiences, cultural organisations, and policymakers, including a step-by-step guide for organisations Doing Documentation
➝✕
Curating online: space & time
➝✕
Archival Absurdity, or a walk in the park
➝✕
Seeing Double: Documenting mixed reality in the museum and beyond
➝✕
From documentary to generative preservation
➝✕
Documentation as Art: Expanded Digital Practices
➝✕
Care as transdisciplinary concept
➝✕
Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data
➝✕
Revisiting Dutch Video Art from the 70s
➝✕
The tension between static documentation and dynamic art
➝✕
The Broken Timeline @ distant.gallery @ ZKM
➝✕
Stuck on the Platform: A Night of Raving Against the Internet
➝✕
The Networked Image in Post Digital Culture
➝✕
Virtual SARBICA International Symposium
➝✕
Digital Culture and Art Museums
➝✕
SUSTAINING ART: People, Practice, Planet in Contemporary Art Conservation
➝✕
Curatorial Perspectives on Collecting Time-based Media Art
➝✕
Dutch Digital Art Canon
➝✕
The Broken Timeline @ distant.gallery @ museums without walls
➝✕
Art and Obsolescence Podcast #43
➝✕
The networked image: addressing the paradox in documentation
➝✕
The Qualities and Significance of Documentation
➝✕
“Designing the unexpected” – – – ambiguity and net art
➝✕
Networks of Care. Types, Challenges and Potentialities
➝✕
Archiving Performance: Between Artistic Poetics and Institutional Policies
➝✕
The Broken Timeline @ distant.gallery
➝✕
Fake News - Medienkultur A-Z
➝✕
Hybrid Infinities
➝✕
Contemporary Curating: Radical, Digital, Diverse Online conference on contemporary curating
➝✕
The Politics of Glitch in Photography. From spirit to noise and precarious aesthetics
➝✕
Art, Museums and Digital Cultures → Rethinking Change
➝✕
The Unbearable Lightness of Digital Art
➝✕
Curating on the web: Interfering with the assumptions of networked platforms and interfaces
➝✕
Digital Materialities
➝✕
Images in Limbo: ‘Compositioning' Photographic Debris in the 'Climate Regime'
➝✕
Art experience through the lens of documentation
➝✕
How to Do Curating with Digital Art
➝✕
Witte Rook, Entrepot: Annet Dekker
➝✕
Online Dating with a Twist
➝✕
The Work of Art Without Original
➝✕
Vulnerable archives
➝✕
Curating Digital Art. From Presenting and Collecting Digital Art to Networked Co-curation
➝✕
The Work of Art in an Age of Audience Documentation
➝✕
In Search of Sustainable Care for Digital Art
➝✕
Central Park Archives - streams from Maunula House
➝✕
Calculating Control: (Net)Art and Cybernetics
➝✕
The Art >and care< of Curating Online
➝✕
Fix My Code
➝✕
Imageability. Telling stories in images
➝✕
How fickle digital preservation practices are failing sustainability efforts
➝✕
Archival Futures. Born-Digital Architecture media
➝✕
O Paradoxo Da Sustentabilidade Digital
➝✕
Transformation Digital Art 2021
➝✕
Between Camera & Network: Art and Documentation in Post-Photographic Culture
➝✕
Annette Wolfsberger
➝✕
Networked art practice after digital preservation
➝✕
Connecting the Archives
➝✕
Precarious data aesthetics. An exploration of tactics, tricksters and idiocy in data
➝✕
Archival Absurdities, or a walk in the park
➝✕
Location, location, location!
➝✕
Documentation of Digital Art
➝✕
Curating Data: care, commons, networks
➝✕
A Critical History of Media Art in the Netherlands
➝✕
Modern Art: Who Shares?
➝✕
Archives imaginaires - en de Inspectie Overheidsinformatie en Erfgoed
➝✕
Curating Documentation #2
➝✕
MAPS2020 THE DEAD WEB – THE END
➝✕
Taferelen #33 – Networked Memory
➝✕
UNFOLD: Audience/Performer/Mirror
➝✕
Calm technology: Olia Lialina, David Benque & Cristina Cochior
➝✕
Curating Documentation #1
➝✕
Imageability today. Telling stories in images
➝✕
Michelle Caswell, Our Views and Their Power: Acknowledging Our Positions in Archival Appraisal
➝✕
Curating Social Media
➝✕
Nothing to Hide, Nothing to Fear
➝✕
The Good, the Bad and the Playful Fake
➝✕
Capturing Digital Art and Performance
➝✕
Book presentation: Collecting and Conserving Net Art
➝✕
AHRC research grant: Documenting digital art. Re-thinking histories and practices of documentation in the museum and beyond
➝✕
Preservation of Net Art through ‘Networks of Care’: Challenges and Potentials
➝✕
Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation
➝✕
Digital Art through the Looking Glass
➝✕
Archiving Complex Digital Artworks
➝✕
Digital sustainability: how to move beyond the oxymoron
➝✕
Digital Canon of the Netherlands
➝✕
The [dis]empowering of the like
➝✕
A MEMÓRIA DO DIGITAL e outras questões das artes e museologia
➝✕
Archiving (in) Processes
➝✕
Collecting and Conserving Net Art. Moving Beyond Conventional Methods
➝✕
Performing the Data Drive
➝✕
VVITCHVVAVVE
➝✕
Collecting as a Creative and Collaborative Process
➝✕
Capturing online cultures, or storytelling as method
➝✕
Acting in Contemporary Art Conservation
➝✕
Archive of the Ephemeral. Thinking, Practicing, Networking
➝✕
berlin - zentrum der netzkunst - damals und heute
➝✕
Behind the Scenes of The Warp and Weft of Memory
➝✕
Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations
➝✕
A digital Babel: text, language & power
➝✕
Performances, books and screens
➝✕
Put Evaluation into Practice: The Collaborative Residency Life Cycle
➝✕
(Re)Coding the Past for the Future
➝✕
Archiving online cultures
➝✕
Digital Art and Homo Documentator
➝✕
Networks of Care, or Autonomous Archiving
➝✕
Cultural Matter: on DeliNear.Info
➝✕
Transformation Digital Art
➝✕
Powers of online curating
➝✕
Version Control and Archive Freedom
➝✕
Photography after software
➝✕
Subversive curating ... as if
➝✕
Walidah Imarisha, The Liberated Archive
➝✕
Other Futures. Exploring New Perspectives through Science Fiction
➝✕
Fluid memory: Open Set Lab
➝✕
The Networked Image Economy and the Automation of Culture
➝✕
Collaborative archiving of digital art
➝✕
Finissage: Collectively (Re)shaping the Archive
➝✕
Techno-colonialism: digitization and trafficking cultural goods
➝✕
Between light and dark archiving
➝✕
Online community archives
➝✕
Lost and Living in Archives @ HNI
➝✕
Publishing and Exhibiting Online. Or, How to Create and Sustain a Performative Archive
➝✕
Lost and Living (in) Archives
➝✕
Machine Art in the Twentieth Century
➝✕
Memories of the Future: Exploration into 1.000.000 Hours of Media Heritage
➝✕
Relearn 2017: Versioning the Networked Archive
➝✕
Ways of machine seeing
➝✕
Trafficking of cultural goods: 3D modelling and digital colonialism
➝✕
SAVE AS: ARCHIVING BORN-DIGITAL ARCHITECTURAL MATERIALS
➝✕
New Archive Interpretations: Five Research Commissions
➝✕
Interdisciplinary Discussions about the Conservation of Software-Based Art
➝✕
David Garcia, Annet Dekker, Ian Alan Paul: As If: The Media Artist as Trickster / How Much Of This Is Fiction
➝✕
Aymeric Mansoux and Marloes de Valk: What kind of archivist are you?
➝✕
Net art and the need for an expanded practice of conservation
➝✕
Vox Populi and The Syrian Archive. Documenting revolution and conflict in the digital age
➝✕
How much of this is fiction / As If: The Media Artist as Trickster
➝✕
Code is text, Code as text
➝✕
Preserving the social dynamics of net art
➝✕
The (un)bearable lightness of digital archiving
➝✕
Digital Marginalia
➝✕
Fragile Permanence. Moving between objects and networked processes
➝✕
George Oates: The Need for Human Intervention
➝✕
Online archives, or systems of fragmentation, multiplicity and speculation
➝✕
Erica Scourti: Archiving our (Dark) Lives
➝✕
Olia Lialina: My Boyfriend Came Back From The War. online since 1996
➝✕
Documentation and re-interpretation of ‘This page contains...’ by JODI
➝✕
Dialogue between Constant Dullaart and Annet Dekker
➝✕
ALGORITHMIC RUBBISH, APE MATTERS and THE ANIMATED DINOSAURS OF HOLLYWOOD I Bots, Bodies, Beasts
➝✕
What We Talk About When We Talk About Online Cultures
➝✕
Shifting from Storage to Dynamic Circulation
➝✕
Is the web changing video art? Or, the influence of networked environments
➝✕
Harm van den Dorpel: Choosing Complexity
➝✕
The Paradise of Big Data
➝✕
The Archive: from Memories of the Past to Predictions of the Future
➝✕
The Centre of the Study of the Networked Image
➝✕
Networked Images: Art, Photography & Technology
➝✕
How to Do Art With Networks
➝✕
Right Here, Right Now @ The Lowry, Salford (UK)
➝✕
The Challenge of Open Source for Conservation
➝✕
No Internet, No Art. A Lunch Bytes Anthology
➝✕
It's New! The archives of MVRDV and Zaha Hadid Architects
➝✕
The Homo Documentator - expanding documentation in the arts
➝✕
Embracing Authenticity in Net Art
➝✕
Algorithmic Rubbish: Daring to Defy Misfortune
➝✕
Virtualizing John Gerrard’s “Sow Farm” (2009), or not? (co-author Patricia Falcão)
➝✕
WTi 2.0 - Wasting time on the Internet
➝✕
New Collecting - Curating after New Media
➝✕
Authenticity in the post-digital age
➝✕
Template: The creative promise and open collections
➝✕
An exploration of significance and dependency in the conservation of software-based artworks
➝✕
Share This! Art and social networks
➝✕
Enabling the Future, or How to Survive FOREVER
➝✕
Annet Dekker. bio + cv
➝✕
Richard Vijgen: A landscape of boxes, or the archive as digital playground
➝✕
The museum archive: from managing and storing memories to predicting the future
➝✕
Re-collecting the Museum
➝✕
Possible Futures / Futuros Possíveis
➝✕
Jonas Lund: Studio Practice
➝✕
Assembling traces, or the conservation of net art
➝✕
A Fun Aesthetic and Art
➝✕
Is Digitale Kunst een Nieuwe Hype?
➝✕
La Société Anonyme: The SKOR Codex launched into the future
➝✕
Jonas Lund: The Absurdity of Art Speak, Art Worlds, and what we can learn from Big Data
➝✕
The Future Is Not What It Used To Be
➝✕
Vertical Cinema at IFFR 2014
➝✕
Jan Robert Leegte: A quest for silence and bewilderment in Minecraft’s vast expanses
➝✕
FREE?! A one-day journey into the cultures of sharing
➝✕
Curating Your Memory
➝✕
Proud To Be Your Version 1 & 2
➝✕
F.A.T. GOLD Europe Five Years of Free Art & Technology
➝✕
Speculative Scenarios, or what will happen to digital art in the (near) future?
➝✕
The CD-ROM Cabinet after 6 months...
➝✕
Eleanor Greenhalgh: Being in the uncomfortable middle and the continued need for physical space
➝✕
Foundland: Critical Stories
➝✕
Call for Participation Sonic Acts Masterclasses
➝✕
Digimag: Transnational Collaborative Artists in Residency Programmes
➝✕
Conversations with Curators
➝✕
Silvio Lorusso: e_PERMANENT #02
➝✕
a new tumblr
➝✕
Femke Herregraven: Glass houses, Roman numerals and shady worlds -- Taxodus
➝✕
The Dark Universe: Sonic Acts 2013
➝✕
CD-ROM Hackathon by Ben Fino-Radin
➝✕
Mozilla and Eyebeam: Open Call for Open(Art)
➝✕
Paraphrasing Babel
➝✕
Collecting and Presenting Born-Digital Art
➝✕
The Value of Openness
➝✕
Kontraste 2012 - Electric Shadows
➝✕
Esther Polak: Kunnen GPS-data mensen ontroeren?
➝✕
La Société Anonyme: The SKOR Codex
➝✕
NetArtWorks: Online Archives
➝✕
Michael Murtaugh: Portable SKOR
➝✕
Shu Lea Cheang: Composting the Net
➝✕
Art Platforms and Cultural Production on the Internet
➝✕
AIR: The City Talks
➝✕
Metahaven: Cloud Coins
➝✕
AIR: City Velocities - Body Speeds
➝✕
Documenting Internet-based Art: The Dullaart-Sakrowski Method
➝✕
Post-Internet Art
➝✕
Linda Hilfling: Restrictions and Reservations, Examining National Public Domains
➝✕
YOHA: Data Entry
➝✕
YOHA: Starting to talk about databases
➝✕
Dutch Culture Cuts: a compilation of discussions on mailinglists
➝✕
Born Digital Art Challenges Preservation
➝✕
Petition against new cultural policy in the Netherlands
➝✕
Response New Media and Art Institutions to Govermental Cuts - Source of innovation is eliminated
➝✕
Dramatic cuts for culture in the Netherlands
➝✕
Lernert & Sander: Data is the New Narrative
➝✕
Martine Neddam: How to be Pink and Conceptual at the Same Time
➝✕
Heath Bunting: The world of an administrative content provider
➝✕
AIR: We Are Forests
➝✕
Heath Bunting: Natural and Artificial Identities, or The Ease of Interaction
➝✕
NetArtWorks: The Database, the Datacloud, and the Public (Data) Domain
➝✕
NetArtWorks: Identity Works
➝✕
Virtueel Platform Research | ARCHIVING THE DIGITAL
➝✕
Clickable Art, or, what does participation mean?
➝✕
Nancy Proctor: The Spectator in a Discriminating Role | On the Mobile Museum
➝✕
BLOG: We Are Forests
➝✕
Virtueel Platform Research | BLAST THEORY
➝✕
The End of the Media Lab as We Know It
➝✕
Arnolfini, Bristol (UK) Fun with Software
➝✕
Fun and Software
➝✕
Documenteren en archiveren in een digitaal tijdperk
➝✕
Funware Conference Programme
➝✕
Rhizome: interview with Olga Goriunova, curator of Funware
➝✕
The Art of Platforms
➝✕
Projects and research (independent)
➝✕
MUTE: Fun with Software
➝✕
AIR: Naked on Pluto
➝✕
Funware at MU in Eindhoven
➝✕
About
➝✕
Colophon
➝✕
AIR: Sensitive to Pleasure
➝✕
BLOG: Sensitive to Pleasure
➝✕
ARCHIVE 2020 sustainable archiving of born - digital cultural content
➝✕
Versions
➝✕
VERSIONS AND THE COMMENT AS MEDIUM : three interviews
➝✕
Walled Garden
➝✕
VFC_Berlin
➝✕
Virtueel Platform Research | The Patching Zone
➝✕
Esther Polak: Traversing The Route, From MediaMarkt to Cameroom
➝✕
Virtual Person by Martine Neddam
➝✕
e-art
➝✕
Tiffany Holmes: The fight against climate change takes effect through creative design and green consumerism
➝✕
Art Mediated by Technology
➝✕
Yolande Harris: A Journey Through Sound
➝✕
Navigating the Space of the Future
➝✕
Igor Stromajer: The Netherlands is respectful. Russia is corrupt.
➝✕
Jaromil: TBT [Time Based Text]
➝✕
AIR: Elfriendo
➝✕
Daan Roosegaarde: In search of Nature 2.0
➝✕
Richard Rogers: The politics of association on display
➝✕
Tea Mäkipää: Claiming bio-diversity
➝✕
Dominik Bartkowski: Bareback
➝✕
Video Vortex 2
➝✕
Video Vortex 2 – Workspace
➝✕
Video Vortex 1
➝✕
Video Vortex 1 – Launch of FLOSS Manuals
➝✕
Video Vortex 1 – Mobile Art
➝✕
Symposium (in)visible technologies
➝✕
(in)visible sounds
➝✕
Seminar (in)visible technology
➝✕
AIR: Aymeric Mansoux and Marloes de Valk
➝✕
Silke Wawro: Parasitaeres Verhalten als Vorslag zum Umgang mit Ueberangebot und Massenproduktion.
➝✕
Sonia Cillari: Space Is Body Centered
➝✕
AIR: Usman Haque and Rob Davis
➝✕
Credibility and Certainty: 9/11 Conspiracy Theories
➝✕
Faith in Exposure
➝✕
AiR: Govcom.org, A Thousand Dinners A Night: Amongst the Issue Celebrities
➝✕
Natural Habitat
➝✕
Machinima Salon
➝✕
AiR: Duin 4.0
➝✕
AiR: Blender, Elephants Dream
➝✕
5 Days Off Media
➝✕
Dutch Installation Art
➝✕
Craftsmanship = Mastery
➝✕
Moving Targets
➝✕
World Wide Wrong
➝✕
World Wide Wrong – JODI
➝✕
Resonance
➝✕
Woody Vasulka Improvises
➝✕
Visual Sounds
➝✕
Wonderwall
➝✕
Optimize!
➝✕
Visual Sensations
➝✕
Further Stories
➝✕
My Story
➝✕
759.987,20 Euro
➝✕
My Story – Interview Artists
➝✕
My Story – Stories Visualized
➝✕
Optical Illusion
➝✕
Echigo-Tsumari Art Triennial
➝✕
RGB - VJ/DJ FESTIVAL
➝✕
Marina Abramovic – Videoworks
➝✕
Spatial Media Special
➝✕
Hurt Models
➝✕
The Pleasure of Language
➝✕
Are You Experienced
➝✕
Blast Theory | NIMk
➝✕
DIALOGUE
➝✕
Hybrid Life Forms - Robyn Stacey
➝✕
Hybrid Life Forms
➝✕
Canadian Media Art
➝✕
sHe'll survive
➝✕
Silke Wawro: Volksware
➝✕
Over_Game
➝✕
Lazy Marie : Circus Maximus
➝✕
M/F on TV Reflections on Image Fragments
➝✕
Een Keuze
➝✕
crime watch I