exhibitions, projects – independent
| 2010 | Funware (curated by Olga Goriunova) – with aaaan.net Arnolfini, Bristol (2010) MU & Baltan Laboratories, Eindhoven (2010-2011) |
| 2009 | Versions (with Constant Dullaart & Petra Heck) Netherlands Media Art Institute, Amsterdam, 27 Nov 2009 – 7 Feb 2010. versions_exhibitionbooklet Exhibition + presentations and discussion: Harm van den Dorpel, Constant Dullaart, F.A.T.Lab, Martijn Hendriks, JODI, Oliver Laric, NastyNets, Evan Roth, Theodore Watson. |
| Visual Foreign Correspondents_Berlin Urban screen work: Lena Merhej, Border Soldier; Simon Faithfull, Revolutionary Postcards from Berlin (with crows) Amsterdam: Melkweg; CASZ; Checkpoint Charlie Berlin; Hungaricum, Berlin; Die Zeit Germany, September – December. |
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| 2008 | Virtual Persons (Martine Neddam) Intrude 366, Zendai MoMA, Shanghai, China (December) |
| Re:visie / The New Media Effect (Annet Dekker, Sabine Niederer) Netherlands Film Festival, Utrecht, September Exhibition + performances programme: The New Documentary: Yolande Harris, Esther Polak, Katleen Vermeir & Ronny Heiremans, Jan Rothuizen. Performing YouTube: Constant Dullaart, Govcom.org, JODI, Emile Zile. Super Power Point Cinema: Mieke Gerritzen & Koert van Mensvoort. Screening: Martijn van Boven, Han Hoogerbrugge, |
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| Visual Foreign Correspondents Urban screen work: Tea Makipaa, Catwalk; Tiffany Holmes, FRESH2.0; Igor Stromajer, The Netherlands is respectful, Russia is corrupt. Volkskrant Online; Amsterdam: De Balie, CASZ, Federation Square Melbourne, during the year |
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| Impakt Online: Dissidents and Restrictions Dominik Bartkowski, Bareback |
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| 2007 | Impakt Online: Net.art is dead, long live net.art! Jaromil, Time Based Text |
| 2006 | Machinima Salon & Machinima Competition (Annet Dekker – Virma, Mediamatic, HAFF) CrossMediaWeek, Picnic@Night, Amsterdam, September 29 HAFF, Utrecht, November 2 |
| Impakt Online: Art and Science Koert van Mensvoort, Ball of Being |
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| Dutch Installation Art (Annet Dekker) MNAC (Muzeul National de Arta Contemporana) Bucharest, Romania, 20 May – 10 sept. Michiel van Bakel, Jasper van der Brink, Persijn Broersen & Margit Lukacs, Rikkert Brok, eddie d, Jan Peter van der Wenden, Kirsten Geisler, Bernard Gigounon, Nan Hoover, Andreas Siefert, Bill Spinhoven, Eric Steensma, Martijn Veldhoen, Gerald van der Kaap |
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| Impakt Online: Net.art is dead, long live net.art! JODI & Cory Arcangel, Blogspot |
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| 2005 | Re:visie / It Takes Two.. (Annet Dekker, Karel Doing) Central Museum, for Netherlands Film Festival, Utrecht, 28 Sep. – 7 Oct. o.a. Unanimous Buck, Leesbaar Nederland, SXNDRX, Joost van Veen & Huib Emmer, Optical Machines, Sara Kolster & Derek Holzer |
| Wonderwall (Annet Dekker, V2) Millenium Dialogue, Beijing China, June 20 till July 17 |
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| Impakt Online: Translations Depart (Leonard Lass and Gregor Ladenhauf), Yarrow Franz Alken, Superconsumers |
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| 2004 | Re:visie / As the World Turns (Joke Ballintijn, Annet Dekker, Karel Doing), Central Museum & Kikker, for Netherlands Film Festival, Utrecht 23 Sep. – 1 Oct. Babak Afrassiabi, Carlos Amorales, Peter Greenaway, Bregtje van der Haak, Risk Hazekamp, Rosanne van Klaveren, Lin de Mol, Julika Rudelius, Marc Schmidt |
| Impakt Online: Art of the Narrative Tamar Schori, Beadgee |
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| 2003 | Real Lear, Echigo-Tsumari Art Triennial, Japan 19 – 21 July – 7 Sep. Opening performance and exhibition of Christiaan Bastiaans and Nan Hoover |
| RGB – World Wide Video Festival, Amsterdam 22 – 24 May i.c.w. Melkweg Amsterdam and Electronation |
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| 2002 | Couch.club ‘Beyond Voyeurism’ and ‘Performing Artists’, Impakt Festival Utrecht May Julika Rudelius / David Still and Benny Nemerofsky Ramsay / Igor Stromajer & MC Brane / SKOP |
| Circus Maximus, Foundation Lazy Marie, Utrecht Dec. 1999 Jan. 2002 film, video and live performances by national and international artists |
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| 2001 | Bijzondere Bijdragen, exhibition in public space at: Netherlands Film Festival, Utrecht Sept. Marc Bain, Ineke Bakker, Jasper van den Brink, Claartje de Geus, Janneke Küpfer, Lin de Mol, Elske Neus, Piek!, Tom Vullings, Pia Wergius en Sonja Wyss |
| Writing | |||||||||||||||
| 2012 | Enjoy the Gap. Documenting media art. Saba, Cosetta, Julia Noordegraaf, Barbara Le Maître and Vinzenz Hediger (eds.) Preserving and Exhibiting Media Art: Challenges and Perspectives. Amsterdam: University Press. (forthcoming 2012) |
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Interview Nancy Proctor, Metropolis M, (forthcoming December-January) |
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| 2010 | The Art of Platforms, Guggenheim Museum, You Tube Play, 2 November. | ||||||||||||||
| (editor) Archive2020. Sustainable Archiving of Born Digital Cultural Content. (Amsterdam: Virtueel Platform). | |||||||||||||||
| RTRSRCH#4 | |||||||||||||||
| Space is Body Centred II. Interview with Sonia Cillari. Arie Altena and Sonic Acts (eds.) The Poetics of Space (Amsterdam: Sonic Acts Press), pp. 169-178. | |||||||||||||||
| (co-edited) Tubelight Special#67 Media Art. (Amsterdam: Tubelight, Virtueel Platform, Domein voor Kunstkritiek). | |||||||||||||||
| 2009 | Versions. Exhibition text and interviews with Harm van den Dorpel, Constant Dullaart, JODI, Martijn Hendriks, Theodore Watson. NIMk, Amsterdam. | ||||||||||||||
| City Views from the Artists’ Perspective. The Impact of Technology on the Experience of the City. Scott McQuire, Meredith Martin and Sabine Niederer (eds.) Urban Screens Reader#5 (Amsterdam: Institute of Network Cultures), pp. 221-232. | |||||||||||||||
| New Ways of Seeing: Artistic Usage of Locative Media. Proceedings of the Digital Arts and Culture Conference. DAC09 after media: embodiment and context. (University of California, Irvine) | |||||||||||||||
| Revolutionary Postcard From Berlin (With Crows). Interview with Simon Faithfull. Visual Foreign Correspondents_Berlin. | |||||||||||||||
| Border Soldier. Interview with Lena Merhej. Visual Foreign Correspondents_Berlin. | |||||||||||||||
| Beyond Physical Space. Examples of documentation: Yolande Harris, Esther Polak, Martine Neddam (DVD) | |||||||||||||||
| Co-editor: Navigating e-culture, Brickwood, Cathy and Annet Dekker (eds.) (Amsterdam: Virtueel Platform) | |||||||||||||||
| Co-editor: Walled Garden, Dekker, Annet and Annette Wolfsberger (eds.) (Amsterdam: Virtueel Platform) | |||||||||||||||
| Aiming for Dead Reckoning, in: Playing the City, catalogue for Schirn Kunsthall in Frankfurt (May) | |||||||||||||||
| A moment in time: Urban exploration in Shanghai, in: virtueelplatform.nl (January) | |||||||||||||||
| Traversing the Route: from MediaMarkt to Cameroon. Stephen Kovats and Thomas Munz (eds.) Deep North. Transmediale Parcours2 (Berlin: Revolver), pp. 56-62 | |||||||||||||||
| 2008 | Urban Screens 2008, review, in: virtueelplatform.nl (December) | ||||||||||||||
| Beeldcultuur in Beweging, in: Items (5, September/October 2008) | |||||||||||||||
| Claiming bio-diversity; interview with Tea Mäkipää, in: VFC & I-Nettime (August) | |||||||||||||||
| PPS: PublicPrivateSpace. Where the public space turns into private space and the private space opens up to the public, in: Proceedings ISEA2008 | |||||||||||||||
| The fight against climate change takes effect through creative design and green consumerism; interview with Tiffany Holmes, VFC & I-Nettime (May) | |||||||||||||||
| A Journey Through Sound; an interview with Yolande Harris, edited with Carmen Hutting for <>TAGMag 5 (March) | |||||||||||||||
| Review Peter Mechant, LabforCulture (February) | |||||||||||||||
| The Netherlands is respectful. Russia is corrupt. An interview with Igor Stromajer in: VFC & I-Nettime (February) | |||||||||||||||
| The flow in the public space, where architecture and interactive art meet, in: News NIM (January) | |||||||||||||||
| TBT [Time Based Text]: an experiment(al) (in) writing, in Impakt Online (January) | |||||||||||||||
| Silke Wawro, in: Masters of Rietveld Dutch Design Education in the 21st Century by the Sandberg Institute (Amsterdam: All Media, 2008) | |||||||||||||||
| Chroma by Dominik Bartkowski, in: Impakt Online | |||||||||||||||
| 2007 | Through the Looking Glass into the Clubscene, in: Nieuwe Media in Nederland (Amsterdam: Institute of Network Cultures) | ||||||||||||||
| Space is Body Centred. An interview with Sonia Cillari, in: News NIM (June) | |||||||||||||||
| Parasitaeres Verhalten als Vorslag zum Umgang mit Ueberangebot und Massenproduktion, in: Kunstforum, Band 185 (193-209) | |||||||||||||||
| The politics of association on display. An interview with Govcom.org, in: News NIM (March) | |||||||||||||||
| Looking for Nature 2.0. An interview with Daan Roosegaarde, in: News NIM (January) | |||||||||||||||
| 2006 | Natural Habitat. Artistic positions between art, nature and technology, in: News NIM December | ||||||||||||||
| Sensorium, in: News NIM, June | |||||||||||||||
| Dutch Installation Art, in: introduction catalogue Dutch Installation Art, MNAC Romania, May | |||||||||||||||
| The New Art of Gaming, or what gaming can learn from installation art, in: Kas Oosterhuis & Lukas Feireiss (eds.), The Architecture Co-Laboratory: GameSetMatch II on computer games, advanced geometries and digital technologies (Rotterdam, episode publishers, 2006), pp.116-125 | |||||||||||||||
| 2005 | World Wide Wrong – JODI, in: News NIM, September | ||||||||||||||
| Sensational Technologies, in: Digital Creativity (2005, Vol. 16, No. 2), p.115-121 | |||||||||||||||
| What’s in a name., in: microscope sessions 2.0, DVD, April 2005. | |||||||||||||||
| VJ Culture, in : PixelACHE 2005 Catalogue. | |||||||||||||||
| 2004 | Dancing in the Light of an Information Overload, in: Tapio Mäkelä and Mare Tralla (eds.), ISEA2004: 12th international symposium in electronic art (Helsinki: m-cult 2004) | ||||||||||||||
| Sensational Technologies, in: Electronic Art and Animation Catalogue ACM SIGGRAPH 2004, co-author Vivian van Saaze, p.112-115 | |||||||||||||||
| stories visualised + interviews with artists from “My Story”, in: News NIM, January. | |||||||||||||||
| 2003 | Media art and Festival culture, in: kM Mediakunst (nr.46, Summer 2003) co-authors: Joke Ballintijn, Nadine Bors and Theus Zwakhals | ||||||||||||||
| Marina Abramović. Videoworks and installations 1977-2003, in: 20. World Wide Video Festival 2003 catalogue | |||||||||||||||
| The Synaesthetic Experience: from Camera Obscura to Video Jockey, in: News NIMk. | |||||||||||||||
| De synaesthetische ervaring: van Camera Obscura tot Video Jockey, in: Bart Vandenabeele & Koen Vermeir (red.), Gemedieerde Zintuigelijkheid. Jaarboek voor Esthetica 2003 (DAMON bv) p.33-43 | |||||||||||||||
| 2002 | The Influence of Technology on the Uses of Language, in: Proceedings ISEA 02, Nagoya, Japan. | ||||||||||||||
| The Pleasures of Language, in: Newsletter – NIM, Sept. | |||||||||||||||
| VOLKSWARE Home, manifest on contemporary design, reference to project ‘Volksware’ by Silke Wawro, June | |||||||||||||||
| Blast Theory – an introduction, in: Newsletter – NIM, May. | |||||||||||||||
| VJ Cultuur, a state of flux, website with information about and for DJ/VJ world, January till March 2004. | |||||||||||||||
| 2000 | Over_Game, in: Newsletter – NIM, October. | ||||||||||||||
| Volksware, Interview Silke Wawro, in: Newsletter – NIM, June. | |||||||||||||||
| 1999 | The Royal Navy recruits m/f; the perspective of the navy-photographer, in: Lover, magazine on feminism, culture and science (jrg.26/2) | ||||||||||||||
| M/F in the Royal Navy, in: Smelik, Anneke with Rosemarie Buikema and Maaike Meijer, Effectief Beeldvormen. Theorie, analyse en praktijk van beeldvormingsprocessen (Van Gorcum, Assen) |
