Digital Art through the Looking Glass
Published on May 27th, 2019
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This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art histories.
edited by Oliver Grau, Janina Hoth, Eveline Wandl-Vogt
With contributions by:
Frieder Nake, George Legrady, José R. Alcalá Mellado /Beatriz Escribano Belmar, Anne-Marie Duguet, Howard Besser, Giselle Beiguelman, Wendy Coones, Sarah Kenderdine, Marianne Ping-Huang, Raphael Lozano Hemmer, Annet Dekker, Janina Hoth, Laura Leuzzi, Diego Mellado, Oliver Grau, Goki Miyakita/Keiko Okawa, Sabine Himmelsbach, Francesca Franco, Patricia Falcão.
Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemeral, and its creative process is collaborative. From artists, scholars, technicians and conservators – to preserve this contemporary art is a transdisciplinary task.
This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art
histories. In a transdisciplinary approach, theoretic and practice-based research from these stakeholders in art, research, education and exhibition are presented to create
an overview of present preservation methods and discuss demands and opportunities for the future. Finally, the need for a new appropriate museum and archive infrastructure is shown to preserve the art of our time.
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